Contemporary Art Market Expert; Founder @TemaProjects & @OurTravelAffair
Vilnius, Lithuania

I’m a Curator and Producer of Contemporary Art, and a Board Member at Rupert, a centre for Art & Education in Vilnius, Lithuania, where I worked as a Director for 6 years. I hold an M.A. in History of Art from the University of St Andrews, Scotland and have previously worked in curatorial departments at Tate Modern (London) and Jonas Mekas Foundation (New York), as well as curated independent projects in Iceland, Latvia, Belgium, Norway and elsewhere.

During my 10-year career in the arts, I have helped many artists launch international careers and implement ambitious large-scale projects.

Alongside my professional career in the arts, I have pursued my lifelong passion for travels through my blog @OurTravelAffair, which launched in 2018. Having visited over 50 countries in 5 continents numerous times, I can help you pick the best spots for a relaxing brunch, lunchtime exhibition and romantic dinner in the city of your choice.
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Danguole Kraskauskieneabout 1 year ago
Labai maloni ir intelektuali asmenybė. Smalsi ir geranoriška, profesionali, bet iešlanti dar daugiau galimybių tobulėti.
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Justė Jonutytė on Art marketContemporary Art Market Expert; Founder @TemaProjects & @OurTravelAffairSome time ago
Justas from Qoorio asked me a question: “Hi Juste, I trust your taste in contemporary art and I would love to get your recommendation. I am looking for a piece of art for my office. I am thinking of 1..2m x 0.5..1.5m size, €5k-€10k price range, made by a young, contemporary artist, can be local or not. What names/links would you suggest to look at?” 👌Justai, thank you for your question. In fact, the question ‘How do I go about acquiring my first artwork’ is the most common question I get. There are many reasons why people don’t feel too confident when searching for an artwork for their home, or, as in your case, your office. 🤔 Some of these reasons have to do with the supposed lack of knowledge in the field of contemporary art (although I personally think that’s more of a myth). Others have to do more with the question of value: how do I make sure the artwork I buy will not go down in its value over the years so I don’t lose the money I invested. I recommned to first think about these aspects when choosing the right work for your office (or home), and only afterwards consider which artists to concentrate on based on your answers: 1. What do I want the work to symbolize for me?✨ If you are looking for an artwork for your office, likely you will spend dozens of hours every week in front of it. What core values or memories do you want the work to remind you of? Do you want it to symbolize ambition, innovation or creativity to boost your drive? Do you want it to create you a moment of relaxation or fantasy for your otherwise highly concentrated day? For example, if ‘future’ is one of the most relevant topics for you, perhaps you don’t even want a two-dimensional painting, but rather a 3-dimensional hologram which better reflects your values? 2. What do I want the work to symbolize for my colleagues/partners/clients? 🏙 If you are looking for an artwork for your office, the work will likely become a central piece of attention to anyone who comes in and visit your work place – whether your colleagues or your clients. What do you want the artwork to say about you and your product/service to every visitor? Do you want it to strengthen your status as an expert in your field, to give the impression of you/your product as a reputable, innovative or creative person/product? For example, if ‘sustainability’ is the main keyword for your business, how do you pick an artwork that speaks of sustainability to everyone who comes into your office? 🌀Last but not least, I suggest to take into consideration such aspects as the market value of the work, the artist’s career and demand of their work, the seller’s reputation (whether you decide to buy at a gallery, auction house or elsewhere). ✅ Finally, to answer your question more specifically, some young generation Lithuanian artists who are internationally active at the moment and whose works have a good international market demand and can be within the price range you provided : Rute Merk, Pakui Hardware, Indrė Šerpytytė, Augustas Serapinas, Lina Lapelyte, Andrius Zakarauskas, Emilija Škarnulytė and some others. You can also look up some international young yet respected artists too within the price range you gave me: Ragna Bley, Athena Papadopoulos, Evgeny Antufiev and Louisa Gagliardi, Jesse Darling, Zoe Paul and many others. You can look up sites such as Artsy, Contemporary Art Daily, Artnet and others to disocver more artists. I hope this will give you a good start, and if you have more questions, ❇️next Thursday, July 30th at 8 pm (LT time) ❇️ I will be doing an Instagram live session (in Lithuanian) on how to pick your first artwork (on my @temaprojects IG account) and you are welcome to ask me further questions there, or in the comments section of this Qoorio post. 📸 Works by Rute Merk in New York’s gallery Downs& Ross


Lina LinkeviciuteTheatre Director [email protected] Paintings/Luxury Business Professional
This is a deep subject :) my grandmother liked to collect the pieces of art and our home was full of super quality artworks but I was feeling all the depression behind them, of course not every person can be affected by it, once my mother changed the whole artworks, and it was such a relief. So it can be the most expensive, the most beautiful artwork in the world but I would check the energetic and it will depend if I put it somewhere in the special room or where I am all the time :)
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Justė Jonutytė on Art marketContemporary Art Market Expert; Founder @TemaProjects & @OurTravelAffairSome time ago
While I am no fan of virtual exhibition and museum tours as the experience of seeing works live still largely beats that of virtual viewing, video art is one of the few exceptions. That's why I was so excited to hear that Julia Stoschek collection, one of the world’s most comprehensive private collections of time-based art, has just announced its plans to put online over 860 works by 282 artists for free and without any restrictions. Happy watching and please share your highlights with me!
Julia Stoschek presents her media art collection online - Announcements - e-flux

Justė Jonutytė on Art marketContemporary Art Market Expert; Founder @TemaProjects & @OurTravelAffairSome time ago
Yesterday I attended my first ever virtual art fair. Over 200 selected galleries set up their virtual 'booths' for the first virtual edition of Frieze New York, which opened for arts professionals and collectors on May 6th, and will launch to the public later today. While the virtual fair experience did not fully replace the experience of attending the physical art fair for me (I missed professional meetings, public and parallel programmes of the fair, and the experience of physically seeing the works, to name just a few ), I found many advantages of the virtual edition. Here are some of my top ones: • MARKET TRANSPARENCY - unlike in the physical art fair, all the prices of the artworks are readily available without having to inquire, which can be an invaluable resource for emerging collectors just starting to navigate the art market. • EFFECTIVE SEARCH CAPABILITY - as an emerging collector, you may, for example, start your search for works with a price bracket for under $10K, or explore artworks in your favourite medium (say, photography or installation), simply saving so much time. • EXTENDED DURATION OF THE FAIR- private & public preview combined, the virtual fair will last for 10 days, about twice the duration of a physical art fair, giving the opportunity for longer research and extra time to come back to the works and make a more informed decision on what to purchase. Not to mention all the time and money we're saving as we don't need to fly and stay in New York for several days. Register for Frieze online viewing room and let me know what's your experience of attending the virtual art fair!
How Frieze New York's Online-Only Edition Signals the Future of Fairs - Galerie

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